Helen Howard
Playwright, Dialogue Coach, Dialect Coach
  • Helen has over 25 years of professional coaching behind her, ensuring a mature, respectful, and friendly dynamic in busy on-set environments. Her 40 years of acting on stage and screen ensure an innate understanding of actors’ challenges with a triple-headed coverage of acting, accent, and voice demands. Helen’s service is tailored to each production’s requirements whilst always aiming to become a valuable collegiate resource for director and producer, supporting them as well as the artists when invited. She embraces the ensemble whilst maintaining a discreet but ready presence.

    Helen works to the brief supplied by the producer and director, and her services customarily comprise assistance at audition stage; a rehearsal presence (as informed observer/responder/line-reader); response to the actors’ requests for guidance; off-set preparation; on-set coverage of scenes; provision of off-screen lines for absent actors, and more. She is skilled at coaching many accents from the UK and Europe, and in recent years has covered US accents due to increased demand. Acting coaching, particularly of young artists, is a favourite activity.

    Helen’s 30 years as a published playwright have given her a keen perspective on script analysis and interpretation; she is currently adapting her play (The Persuasion of Jane Austen) and her first novel, The Wishing Well (from her successful play of the same name, co-authored with Michael Futcher) for the screen.

    Helen is passionate to tell great stories on stage and screen and enthusiastically teams with seasoned and emerging people. She brings a lightness and warmth to her interactions, and recognises that each production team, cast, and crew is unique and that her approach will adapt and evolve with every project.

    Notable productions include Nautilus (Michael Matthews, Ben Lucas, Isabelle Sieb); Interceptor (Matthew Reilly); The Portable Door (Jeffery Walker); Harry Potter and the Cursed Child (actor and Voice Captain); Dog Days of Christmas (Tori Garrett); L’Appartement (Johanna Murray-Smith); Dora and the Lost City of Gold (James Bobin); The Family Law (Jonathon Brough) Grace Beside Me (Beck Cole, various); Swinging Safari (Stephan Elliott); Mental (PJ Hogan); Slide (Shawn Seet, Tori Garrett, Garth Maxwell); The Memory of Water (actor/accents, Leticia Caceres) Narnia, Voyage of the Dawn Treader (Michael Apted); Peter Pan (PJ Hogan).

    Helen trained at the prestigious Mountview Theatre School, in London, and has since called Brisbane home for 30 years.

  • Production
    Role
    Company / Director
    CHRISTMAS AT THE FARM (2021)
    Janet
    Stan / Hoodlum / Dir: Christopher Weekes
    JOE VS CAROLE (2021)
    Margie
    Peacock Network / Universal / Dir: Justin Tipping
    THEA GOES TO TOWN (2021)
    Thea
    Thumper Pictures / Dir: Georgia Temple
    HARRY POTTER AND THE CURSED CHILD - PARTS ONE AND TWO (2020-2021)
    Madam Hooch / Aunt Petunia / Dolores Umbridge / & Others
    Princess Theatre Melbourne / Dir: John TIffany / Exec.Prod: Michael Cassel
    BLOODY HELL (2020)
    Finnish Judge / Accent Coach
    Feature Film / Dir: Alister Grierson
    THE WEDDING (WEB SERIES -ep 5) (2020)
    Mom
    Pi Films / Dir: Cameron March
    LOVE AND MONSTERS (2019)
    Rose
    Paramount Pictures Feature / Dir: Michael Matthews
    JANE EYRE (2019)
    Sarah Reed, Alice Fairfax et al
    shake & stir theatre company / Dir: Michael Futcher
    SWING SAFARI (2018)
    Acting Coach
    Feature Film / Dir: Stephan Elliott
    HARROW SEASON 2 (2018)
    Val Little
    Hoodlum / ABC TV / Dir: Grant Brown
    NEVERNIGHT (2018)
    Drusilla
    Web Series / Dir: Genevieve Kertesz
    DEEP HEAT (2018)
    Helen
    TV Commercial / Made by Kiosk / Dir: Ryan Renshaw
    PIANO LESSONS (2017)
    Mrs Sivan
    Metro Arts / Sydney City Recital Hall / Reardon Theatre / Newcastle Civic Theatre / Adelaide University / Dir: Michael Futcher
    DON'T TELL (2016)
    Rachel's Mother
    Feature Film / Dir: Tori Garrett
    * ABRIDGED CV ABOVE
    PRODUCTION

    For information regarding school, community or professional productions of any of the plays on this site, contact us by email at writers@kublerauckland.com with full details of your proposed production.
  • 1347
    1347 is a bawdy, comical, and epic adventure story set on the eve of the Great Plague of 1348. Inspired by the riotous mediaeval tales of Boccaccio's Decameron, the play follows the fortunes of a group of young travellers escaping the ravages of the plague into the Florentine countryside.
    ACTS:
    Two
    LENGTH:
    CAST:
    6m, 4f + 2 Musicians
  • A BEAUTIFUL LIFE
    Explores the often-unforgettable histories of refugees. It is a haunting account of prejudice, injustice and brutality, tempered by a celebration of human kindness and indomitable hope.
    ACTS:
    Two
    LENGTH:
    CAST:
    6m, 2f
    Publication:   Currency Press / www.currencypress.com.au
  • CITIZEN JANE
    Jane Newman is young. She has a few worries about the world. Ted Cook is the premier. He only has to worry about Queensland! So what do they have in common? Not much, until, as a result of a bizarre, inexplicable and totally weird accident, they SWAP BRAINS! How will Jane find her way through the corridors of power, and learn how to keep Queensland on course? And how will Ted persuade anyone to let him back into Parliament House and get him out of cheerleading practice?
    ACTS:
    LENGTH:
    CAST:
    Publication:   Playlab Press / www.playlab.org.au
  • THE DROWNING BRIDE
    An intimate and moving drama about love, betrayal and the struggle to forgive. In this powerful clash between generations and cultures, a young Brisbane artist tracks down her estranged grandfather in the US where he fled to escape his troubled past. Wise old widower, or war criminal and womanizer? A quest for truth, with love and history at stake.
    ACTS:
    Two
    LENGTH:
    CAST:
    2m, 2f
    Publication:   Currency Press / www.currencypress.com.au
  • THE KING AND THE CORPSE!
    ACTS:
    LENGTH:
    CAST:
  • THE WISHING WELL
    Londoner Edith Midleton arrives in Sydney in the grip of the Depression and watches her last penny roll down the drain of that great wishing well, Australia. As her life pitches into abject poverty, she bears an illegitimate child on a sweatshop floor, a gifted boy who drags his reluctant mother through the hole in his heart to discover love that is at once fragile and cruel. The Wishing Well is a feisty, powerful and uplifting story of resilience and love, told seductively with a wealth of actor-power, passion, vivacity and warmth.
    ACTS:
    Two
    LENGTH:
    CAST:
    5m, 3f
    Publication:   Currency Press / www.currencypress.com.au